3.340 file audio bebas royalti untuk "String Quartet No. 17 (mozart)"

*17 steps in 36-et on C = ??. Equal-tempered: 217/36:1 = 566.67 cents. MIDI pitch bend: 42,53

*17 steps in 21-et on C = B♭↓. Equal-tempered: 217/21:1 = 971.43 cents. MIDI pitch bend: 109,54

*17 steps in 22-et on C = ??. Equal-tempered: 217/22:1 = 927.27 cents. MIDI pitch bend: 93,72

*17 steps in 31-et on C = ??. Equal-tempered: 217/31:1 = 658.06 cents. MIDI pitch bend: 74,50

*17 steps in 23-et on C = ??. Equal-tempered: 217/23:1 = 886.96 cents. MIDI pitch bend: 105,59

Example of a passage requiring bariolage from his Principes du Violon, p.79. Timbral effect synthesized.

Monochord mit 30 gleich gestimmten Saiten (1 min 51) Monochord with 30 strings at the same pitch (1 min 51)

Kurze Demo des Farfisa Syntorchestra

Concerto No.17 in G - I. Allegro

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (2nd Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

*12 steps in 17 equal temperament on C = G♯ (Easley Blackwood's notation). Equal-tempered: 212/17:1. MIDI pitch bend: 8,79

Mahler Symphony no. 2, IV. "Urlicht"

Sonata No. 8 in C Minor Pathetique, Op. 13 - III. Rondo - allegro

Sonata no. 21 in c major (Waldstein sonata) - i. allegro con brio

Symphony No. 5, first movement, bars 195-227

Mahler Symphony no. 2, I. Allegro maestoso

Mahler Symphony no. 2, III. In ruhig fließender Bewegung

Mahler 4 1st movt Fig 5

Mahler Symphony no. 2, II. Andante moderato

Transition in Mozart's Sonata in C Major, K. 309, I, measures 21-32.

Beethoven Appassionata 3 final bars of Andante

Recapitulation transition in Mozart's Sonata in C Major, K. 309, I, measures 116-126.

Gustav Mahler- Symphony No. 7- 2 Nachtmusik

Gustav Mahler- Symphony Number 7- 4 Nachtmusik II

Mahler 4 3rd movement Fig 13

Mahler Symphony No. 5, II. Stürmisch bewegt, mit größter Vehemenz

Gustav Mahler- Symphony No. 7- 5 Rondo Finale

Mahler Symphony No. 5, I. Trauermarsch

Mahler Symphony No. 5, V. Rondo Finale

Mahler Symphony No. 5, IV. Adagietto

Gustav Mahler- Symphony No. 7- 1 Langsam Allegro

Bach; Chaconne d-moll Heifetz